Burna Boy and Travis Scott’s “TaTaTa” is a bold, genre-blending track that fuses Afrobeats with trap influences, making an energetic anthem that’s centred around desire, indulgence, and swagger. The song marks a first single release from Burna’s upcoming album No Sign of Weakness, which is set to drop on the 10th of July 2025.
The song is an ode to sensuality, driven by Burna Boy’s signature wit and melodic cadence. The first verse opens with Burna painting a vivid picture of distraction and obsession with a woman’s body, confessing, “I nearly bash my car, because of this, your back,” an imagery that is both humorous and relatable, highlighting how overwhelming physical attraction can become.
The weekly diary of lust and escapism, “Monday, na your waist / Tuesday, na the same thing… Sunday, praise the Lord,” is a highlight of modern-day tug-of-war between hedonism and spirituality. It reflects the duality of youth culture in urban Nigeria and beyond. Delivered with Burna’s typical charisma and flair for narrative rhythm, the song is funny and catchy.
No Sign of Weakness cover art | SUPPLIED
Travis Scott’s entry plays both complementary and distinctive roles. Known for his atmospheric soundscapes and coded lyrics, La Flame doesn’t overpower the track but adapts to Burna’s world with surprising grace. His verse follows a short Spanish interlude, “You cállate la boca / And shake that culo, now”, and slides seamlessly into his signature hedonistic tone. Lines like “She sip me like codeine, be my fan like Only” and “Yeah, my money as big as your nyash” capture the Houston rapper’s style: lust-driven and immersed in luxury. He smartly plays on the idea of heat and technique in the line “Yeah, I be cool off her like A/C, make her jump when I want, I got technique,” adding a layer of clever wordplay to his otherwise explicit storytelling.
The chorus builds around a percussive refrain of “TaTaTa,” and serves multiple purposes. It captures the hypnotic energy of the beat and acts as a sonic glue between Burna Boy’s Afro-fusion roots and Travis Scott’s hazy, reverb-drenched delivery. Its mimicry of rhythmic gunfire gives the track its infectious, chant energy. It’s as much a sonic hook as it is a cultural reference point, one that commands movement and lodges itself firmly in the listener’s memory. The chorus may seem minimal on the surface, but in a dancefloor context, it becomes an irresistible refrain that invites movement and repetition.
Burna’s assertion, “Badder than Baltasar Engonga / Magnificent performance”, is a power move. Referencing the Equatorial Guinean footballer Baltasar Engonga serves as a metaphor for dominance and skill, both on the field and in the bedroom. It’s a sharp cultural nod that also reinforces the theme of excellence and charisma.
Burna Boy and Travis Scott | SUPPLIED
The production, lyrical structure and flow suggest a mid-tempo Afro-fusion rhythm backed by layered percussion and deep bass, perfect for Burna Boy’s commanding presence. Travis’s segment leans into trap aesthetics and brings in synths and hi-hats that match his auto-tuned voice. The result is a seamless blend that bridges continents and genres without compromising either artist’s identity.
“TaTaTa” is more than a club-ready anthem, but a celebration of desire and cultural fusion. With Burna Boy’s vivid storytelling and Travis Scott’s effortless charisma, the track bridges Lagos and Houston with a confidence that only artists of their calibre can pull off.
Watch “TaTaTa”:
Words by Zimiso Nyamande
